A. The profound and often troubling relationships among characters
B. The novel’s experimental structure
C. The novel’s radically unique narrative voice
D. All of the above
A. The shift from agriculturally-based to industrial societies in the west
B. The decline of traditional religious beliefs in europe
C. The rise of traditional social identities and the decline of personal identity
D. Both a and b
A. An assault on the notion that there is any knowable truth
B. An assault on the sexual mores of the victorian age
C. A reaffirmation of romantic notions of the sublime
D. All of the above
A. The end of the novella depicts marlow’s conversation with the kurtz’s intended.
B. The work considers the dark side of european colonialism.
C. Marlow comes to understand the necessity of european leadership in africa.
D. Both a and b
A. The anglo-irish war began with the resistance of the irish republican army.
B. The anglo-irish war never involved a guerrilla campaign.
C. In the course of the anglo-irish war, only a few hundred members of the irish republican army were actively resisting british rule.
D. All of the above
A. Produce works of art that were meaningless
B. Reject artistic production that was obligatorily moral in character
C. Avoid all forms of prose
D. Make art profitable above all else
A. Marx
B. Freud
C. Darwin
D. Aristotle
A. Marxism
B. Post-colonial theory
C. Deconstruction
D. Feminism
A. It begins with the famous line: “north richmond street being blind, was a quiet street except at the hour when the christian brothers’ school set the boys free.”
B. It speaks of the author’s illicit relationship with a young girl.
C. It is a dramatization of the relationship between adam and eve in the garden of eden.
D. It is an analysis of “exodus” from “the holy bible.”
A. Cubism
B. Vorticism
C. Futurism
D. A and b only