A. The relative location of the room in which the “troubled” women are kept
B. The state of disrepair when the houses are first encountered by the protagonists
C. The relative location of the houses within the larger communities
D. The relative age of the houses
A. Stoker’s “dracula”
B. Beckford’s “vathek”
C. Ancient civilizations worldwide
D. Walpole’s “the castle of otranto”
A. It represents male sexuality.
B. It suggests female complicity in sexual deviance.
C. It refers to the location of murder in gothic novels.
D. It symbolizes the forced sequestration of women both before and after marriage.
A. The unknown
B. Transgression
C. Reason
D. The grotesque
A. It is the scene of violence.
B. It is the scene of sexual transgression.
C. It is the scene of redemption for the byronic hero.
D. It serves as a kind of prison.
A. The decline in animal dissections
B. The increase in scientific experimentation
C. The end of absolute monarchy
D. The end of the vitalist controversy
A. Horror is only a sense of the sublime.
B. Terror contracts the soul.
C. Terror involves uncertainty and obscurity.
D. Horror fails to awaken and expand the soul.
A. The excessive violence found in the gothic novel
B. The barbarians that populate the gothic novel
C. The use of the word in the subtitle of walpole’s novel
D. The style of architecture found in the gothic novel
A. The body is represented in abnormal ways.
B. Women’s issues are interrogated.
C. Gender issues are often overlooked.
D. Many protagonists’ mothers are absent.
A. She creates a strong male hero to rescue emily.
B. She is not concerned with issues of rightful inheritance.
C. She sets the novel in present day.
D. She resolves the appearance of supernatural phenomena.