A. Symbolism
B. Simile
C. Metonymy
D. Kenning
A. The patron of the acting company, eg, the lord chamberlain
B. The bishop of london
C. The printer
D. The acting company
A. Bleak house
B. Great expectations
C. A tale of two cities
D. The pickwick papers
A. The monarchy, in the person of charles ii
B. The dominance of the tory party
C. The “book of common prayer”
D. Toleration of religious dissidents
A. Robert browning
B. D.g rossetti
C. Tennyson
D. Christina rossetti
A. The grueling working conditions for women in textile factories
B. The debate on women’s suffrage
C. The need to enlarge and improve educational opportunities for women, resulting in the establishment of the first women’s college in london
D. The question of monarchical succession and if a woman should hold royal power
A. The rise of workshops and the collaborative ethos
B. The diversifying impact of playwrights from the former colonies
C. The death of the musical
D. All but c
A. Beating a friar in a london street
B. For writing poetry against the church
C. For crossing the border of great britain
D. None of the above
A. ’il penseroso’
B. ’lycidas’
C. ’comus’
D. ’the masque of blackness’
A. Gay’s beggar’s opera
B. Butler’s hudibras
C. Fielding’s jonathan wild
D. Pope’s dunciad