A. Characters are not as important as plot.
B. Presentation is objective.
C. Ordinary language is used.
D. Events are plausible.
A. She almost died in childbirth with her first child.
B. She doesn’t want to lose her figure.
C. Her husband has threatened to leave her.
D. She is afraid it may have dark skin.
A. Its fractured, collage effect.
B. Its insistence on plot.
C. Its focus on landscape.
D. Its focus on modern city life.
A. Having a bathroom with warm water.
B. Following one’s dreams.
C. Getting food on the table.
D. Finding a mate.
A. Supplying them with narcotic eggs.
B. Letting them choose their own mates.
C. Freeing the males after they are hosts.
D. Paying them very well.
A. Discussion of race relations in the north and south.
B. Condemnation of the plantation myth.
C. Examination of the psychological damage of slavery.
D. Insistence on desegregation.
A. Redefining black people in terms of a presence, not an absence.
B. Working against the existing racist stereotypes.
C. A struggle ongoing since 1619.
D. All of the above
A. She tries to pass as white.
B. She washes clothes for white women.
C. She lets a MAN help her out.
D. She marries a black MAN.
A. Negro spirituals being sung in the cotton fields.
B. The call and response of an african american church congregation.
C. African american toasting on a city street corner.
D. Blues being played in a harlem bar.
A. Whites should pay reparations to former slaves.
B. African americans should acculturate to mainstream white culture.
C. White institutions should reform to meet african american needs.
D. African americans will have to help themselves by becoming educated.