A. A noble person who becomes completely corrupted
B. A cowardly person who doubts himself or herself despite possessing great wealth and political power
C. A cowardly person who shows some personal strength when faced with a crisis
D. A noble person who makes a costly mistake
A. Historically, writers have been considered liars or at the very least irrelevant.
B. Fictionalizing reality is a basic human need.
C. Every text includes traces from the outside world, including social, historical, and literary remnants.
D. All of these.
A. A narrative that emphasizes character development
B. A narrative with a unified, plausible plot structure
C. A narrative that conveys the illusion of reality
D. All of these
A. Emotional arguments
B. Political arguments
C. Deductive arguments
D. Inductive arguments
A. Compares his love to a winter storm
B. Compares his love to a summer’s day
C. Compares his love to a turbulent sea
D. Compares his love to his fear of death
A. Another character
B. The protagonist
C. Society
D. All of these
A. A narrative based entirely on verifiable facts
B. A narrative that does not analyze characters on a situation-by-situation basis
C. A narrative without characters
D. A narrative that takes place in the past.
A. Simplicity in language, brevity in form, and humorousness in attitude
B. Complexity in language, lengthiness in form, and seriousness in attitude
C. Simplicity in language, lengthiness in form, and humorousness in attitude
D. Complexity in language, brevity in form, and humorousness in attitude
A. Wanted to subvert middle class values.
B. Accepted middle class values.
C. Wrote in a hyperrealistic fashion.
D. Had a negative view of human nature.
A. The world can be fully understood if people listen closely to what others are saying.
B. Good things, including salvation, come to those who are patient.
C. Redemption comes from surrendering to a higher power.
D. People are fundamentally unable to realize any sort of inherent meaning in existence.