A. Critics should examine historical information surrounding a literary work.
B. Critics should develop universal readings of texts.
C. Critics should consider evolving notions of a text over time.
D. Critics should attempt to paraphrase texts in order to find out what they mean
A. Psychoanalysis
B. Marxism
C. Feminism
D. Deconstruction
A. Cleanth brooks
B. Ferdinand de saussure
C. Karl marx
D. Sigmund freud
A. Feminist theory
B. Ethnic criticism
C. Postcolonial theory
D. All of the above.
A. Trauma theory
B. Ecotheory
C. Chaos theory
D. Formalism
A. How women really feel about male writers
B. The inscription of womanhood and femininity in texts
C. Second-wave feminism
D. Psychological studies of women
A. Marxist theory
B. Psychoanalytic theory
C. Postcolonial theory
D. Deconstruction
A. What is literature?
B. Why do people write literature?
C. What are the effects of literature?
D. All of these.
A. Members of the audience who comment on the play’s actions
B. Characters who remind the audience that the play is fictional
C. A group of characters who comment
On The actions of the play while participating in them
A. Hamlet cannot be staged properly because of the complexity of the play’s use of language.
B. Hamlet is not relevant to the romantic age.
C. The role of hamlet cannot be properly played by any actor.
D. Hamlet is a work that was written to be read, not performed.